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Say the words "Classical Music" to most people and their eyes start to glaze over or they
furtively glance at their watches and scramble for excuses to beat a hasty retreat, fearing
they are about to be corralled into a four-hour concert on their only night off. Why? I'm
not sure...perhaps in general classical music is the most demanding to listen to and most
of it is not within the "3 minute limit" that seems to be the maximum the public can take
of any "Pop Music" piece.
Well, fear not folks, 'cuz this collection of classical pieces is served up in fine easy
to digest fashion and I'll bet most of it you have already heard (and liked!) in other forms.
Memorable melody is the key to longevity for a song and the classics are full of great
melodies, that's why you hear them pop up in contemporary music again and again. (That
and the fact that their copyrights have long expired, making them fair game for the picking!)
My friend and and musical collaborator Bob Piorun has put together a fine montage of some
classical pieces that have over the years crept into popular consciousness.
"Canon in D" by Johann Pachelbel, who died nearly 300 years ago, was used as the theme for
the movie "Ordinary People", and if you listened closely you can hear the similarity in Green
Day's "Basket Case" and Blues Traveler's "Hook". Chopin's "Opus 28 #20" became Donna Summer's
disco hit "Could It Be Magic", "written" by Barry Manilow. Every Baby Boomer knows "Funeral
March of a Marionette" as the "Alfred Hitchcock Theme". Bach's "Air" was the inspiration
for Procul Harum's "Whiter Shade of Pale". "Minuet", also by Bach, we radio heads know
as "Lover's Concerto" by The Toys. I guess it's true: "A good song is a good song".
Bob has used an interesting approach using only guitar and bass to showcase this material
and guess what? it works just fine, because good material only needs good performance and
this disc is full of good playing. Bob has probably taught more guitar students in Central
New York than anyone else over the last 30 years and he has used this, his first solo project,
to give us a lesson, and that is: "Don't run when you hear classical music, just open your
senses and dig it!"
- Joe Whiting
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